Every artwork prepared to one specification, so the catalogue reads as a single, unbroken grid.

Colour, crop and contrast were matched across the full range, so a buyer scrolling the shop sees one coherent body of work rather than a folder of files.

Each framed work set into a hospitality grade interior, so buyers can see the piece in a room before they order.

Light, wall tone and frame proportion follow the real product, which takes the guesswork out of specifying art for a room you have not stood in.

A restrained interface that gets out of the way, moving a buyer from collection to artwork without a wrong turn.

Collections, rooms and sizes are all reachable in a single move, and nothing on the page competes with the art itself.

Eighteen artworks, two framed sizes each, in a store the studio runs itself.

Products, collections and pages are editable in place, and the trade path is built for the volume orders that hospitality projects bring.

A full screen opening where the wordmark rises and the catalogue flips behind it, then lifts away to the store.

It plays once, respects reduced motion settings, and never holds a visitor back on a slow connection.

The work holds its presence from a phone in the hand to a screen on the wall.

Every template was drawn and checked at each width, so imagery fills the frame and the checkout stays legible wherever the order is placed.

A catalogue organised around the rooms it is destined for, and a brand that holds together on every screen it lands on.

Hotels, short stay operators, venues and private buyers each arrive at the same considered set of works, framed and ready to hang.